In English, we use many different words to describe the same basic objects. In one survey, researchers Dieth and Orton explored which words were used for the place where a farmer might keep his cow, depending on where the speaker resided in England. The results include words like byre, shippon, mistall, cow-stable, cow-house, cow-shed, neat-house or beast-house. We see the same situation in visualization, where a two-dimensional chart with data displayed as a collection of points, using one variable for the horizontal axis and one for the vertical, is variously called ascatterplot, a scatter diagram, a scatter graph, a 2D dotplot or even a star field.
There have been a number of attempts to form taxonomies, or categorizations, of visualizations. Most software packages for creating graphics, such as Microsoft Excel focus on the type of graphical element used to display the data and then sub-classify from that. This has one immediate problem in that plots with multiple elements are hard to classify (should we classify a chart with a bars and points as a bar chart, with point additions, or instead classify it as a point char, with bars added?). Other authors have started with the dimensionality of the data (one-dimensional, two-dimensional, etc.) and used that as a basic classification criterion, but that has similar problems.
Visualizations are too numerous, too diverse and too exciting to fit well into a taxonomy that divides and subdivides. In contrast to the evolution of animals and plants, which did occur essentially in a tree-like manner, with branches splitting and sub-splitting, information visualization techniques have been invented more by a compositional approach. We take a polar coordinate system, combine it with bars, and achieve a Rose diagram. We put a network in 3D. We addtexture, shape and size mappings to all the above. We split it into panels. This is why a traditional taxonomy of information visualization is doomed to be unsatisfying. It is based on a false analogy with biology and denies the basic process by which visualizations have been created: composition.